Insidiously imposed “Grandeur of European Art” was strictly kept separate from their criminal, colonial history of Europe. It has been unjustly divinized and imitated also by Turkish artists.
Art in the West as a commercial sector today, with its market rules and strategies does not deal with human problems.
All artists working together with art lobbyists are the “detainees or the slaves” of the capitalist system. An artist, who has been made famous by his sponsors, will newer be allowed to use his fame to draw the attention of his fellow citizen of his country to any social or political problem.
Some philosophers have written and complained over this kind of commercialized art.
There is also well spread “Art Terrorism” in teaching art, some times taking the form of an unshakable dictate, in commenting art by the expert critics.
If an artwork is declared as valuable by them, nobody dare to deny this,
even if it is a perfect kitsch.
An artist is supposed to be a freethinking human. But they can hardly liberate themselves from the grasp of nationally and internationally well-organized art lobbyists in the capitalist world.
The direction of development of art, especially modern art, is determined by the ideology of the art lobbyists (or better art mafia) in the market. These type of art can newer be inspiring and wholesome for humanity.
As long as “art terrorism” exists in this form, the real art in Capitalist Europe will remain an utopia.
The existence of art lobbies is thus a hindrance to art than for a free development of it.
The question is as always: Who are these lobbyists?